MIXTAPE 101 – ORIGINAL GANGSTER

Yeah, order this is the story the Source won’t tell you. Consider this a bonus episode. Back in September, Jay-Z and I had put together a really brilliant companion to the American Gangster movie, featuring a lot of talented beatmakers previously featured on MTSN. I was pretty excited – my first A&R project, my first big industry check, everything was awesome.

Then Def Jam heard the final project and freaked. Next thing I know everyone’s scrambling around grabbing beats from no-names like Pharrell and Just Blaze, nobody’s returning my phone calls, and my money is all screwed up. Then the “official” record comes out, and no mention of my name.

So Jay, if you’re reading this, you know our first version would have gone triple plat, easy. I’m putting the first EP version up so people can hear the original. My version is 10 times better than the commercial release, Jay, and you know that.

intro dexalude: Pimpology 101 by Mathematics.

Nas – Hey Nas (remixed by Quincey Tones). We start with the whole remix thing kinda turned on its head. UK beatmaker Quincey Tones got hold of a bunch of Nas acapellas, plus the original joints sampled on the official American Gangster record, flipped them himself and created a new project. myspace.com/quinceytones.

Jay-Z – American Gangster (remixed by Shuko). That’s funny, when I think of the decade in which I was born, I don’t generally think of medium-sized wading birds in the Ardeidae family. To each his own, I guess. Been a minute since any Shuko production has been on the show. Mick Boogie and everyone’s favorite German got together and flipped Marvin Gaye samples and put this out pretty quick, from what I remember. This is probably my favorite cut on his version of the project.

Jay-Z – Ignorant Shit (remixed by Beewirks). Somebody stop this kid. I had this in my inbox a few days before Christmas hit. Pretty much everyone and their great uncle hit me up on some “hey dex look I made my own Jigga album lolkthx”. Beewirks’ version, though, is easily the most consistently great across the board. myspace.com/beewirks.

Jay-Z – No Hook (remixed by Beewirks). See? Kid’s range is pretty impressive. Beewirks brought a lot of nuance out of both this and the previous track that I think people would normally miss. myspace.com/shuko.

Jay-Z – Blue Magic feat Jack Benson (remixed by Von Pea). Yes, dig Von Pea on vocals – dude takes the remix concept one step further and sings the hook himself. Beat is extra dope too. I remember being absolutely bewildered as to why someone would name a song after hair product and then sing about drugs, but turns out Blue Magic is just extra pure heroin. Go figure. myspace.com/vonpea.

Nas - Warrior Song feat Alicia Keys (remixed Quincey Tones). Somebody will probably step in and hit me for sleeping, but this is the first I’ve heard of Quincey Tones. Dude really is not bad with these soul flips.

February should be an interesting month. We’ll talk more about that later. Until then…

So a little while back, view my man JR put me up on the fact that someone had made a radio edit of the Mick Boogie + Busta Rhymes + J Dilla tape. (If you don’t know what I’m talking about, advice you should listen to the Dillagence tape, viagra dosage here). I still do a little radio work myself, so I was happy to hear that the tape would be getting some more exposure.

After checking the edit, though, I realized that while it was pretty good, there were some pretty serious words that slipped through in the edit. I am – unfortunately – really really well versed in FCC indecency rulings, having met with pretty much the top lawyers in DC on the subject. And yes, your local Clear Channel affiliate may be able to write off a max $350,000 fine for a slipped “ass” here and there as a business expense, but a local underground station can’t.

So – building off of AJ’s mix, this one is more polished, and 100% radio friendly* for current US legal climate.

I also took the liberty of flip-editing the N-word. Not that the “nigga” or any of its variants are subject to FCC fines (let that sink in for a second), but I know a lot of DJs who’d prefer to not play it. “Bitch”, however, is intact.

So for all you young DJs looking for something to drop on your next weekly session, download this, burn it up, and push play.

Click here to download Dillagence – KUCR Clean Edits

Tracklist:

1 ) Words From Ma Dukes
2 ) Dillagence (produced by DJ Spinna)
3 ) Takin What’s Mine
4 ) Step Up
5 ) The Conversation (f/ Talib Kweli)
6 ) Code of the Streets (f/ MOP)
7 ) Lightworks (f/ Q-Tip and Talib Kweli)
8 ) Baggage Handlers (f/ Raekwon)
9 ) How We Roll
10 ) Best That Ever Did It (f/ Rah Digga)
11 ) Psycho (f/ Cassidy and Papoose)
12 ) The Range (f/ Rah Digga)
13 ) Not Right Now
14 ) Other Side Of The Road
15 ) Who Tryin To Kill You
16 ) High
17) Dillagence Outro

And of course, if you aren’t in public radio, you don’t need this, so go grab the dirty version. New episode in the works kids.

*Not a guarantee. Preview and broadcast at your own risk.

MIXTAPE 95 – DILLAGENCE

Once again, I have to give full credit to Mick Boogie, Busta Rhymes, and of course J Dilla. This is a distilled version – my favorite tracks – from the just-dropped Dillagence mixtape. All joints are brand new. This is just stupid good. Stop reading right now and listen. If you want the full version, grab it at mick’s site - though the servers there seem to be struggling with the traffic (part of the reason I did this ep).

You’re gonna dig this one.

Busta Rhymes – Dillagence.

Busta Rhymes – Takin’ What’s Mine. And yes, you’ve heard this beat on this show before, but I just had to do this one again. Stealing somebody’s lunch, their lunch money, and then making them buy their lunch back from you? That’s horrible. Did I say Busta wasn’t funny anymore? I take it back.

Busta Rhymes – Step Up. This beat is just ridiculous.

Busta Rhymes – Words from Ma Dukes. Dilla’s moms speaks to the people.

Busta Rhymes, Q-Tip, and Talib Kweli – Lightworks. One-upping the version on the 2K8 soundtrack. I remember my first time at the Do-Over and seeing people just go bananas to this song. Not this song, actually, just the instrumental. Like 1:30 of the Lightworks instrumental off of Donuts, and just wow. I was absolutely blown away.

Busta Rhymes and Rah Digga – Best That Ever Did It. RD is just crazy on this track. References to Portishead, Benzino, Eminiem’s drug habit all in the same verse? Busta’s just a given here.

Busta Rhymes and M.O.P. – Classic. Dig what he says at the end about Dilla’s production and EQing, which is something I’ve heard a lot. For those who this doesn’t seem like a big deal to, talk to anyone who’s ever been on deadline for an album and the studio lost the Protools files. Not fun.

Busta Rhymes and Rah Digga – The Range. As much as I loved that Plastic Cups remix (anyone who came to my last house party knows that one took on special significance!), this one is really just that dope. I have apparently been sleeping on Rah Digga:

That’s why I go to the range
I see some rednecks with shit I can’t even name
Saying to myself I better do it the same
Revolution coming, shit it already came
They called it a hurricane
That’s why I go to the range…

Damn. DAMN.

Busta Rhymes and Rah Digga – Not Right Now. Beat on this one is ridiculous. That “not right now” hook is alternately cool and hilarious.

Busta Rhymes, Cassidy, Papoose – Psycho. Somehow this makes me think of Cypress Hill. Cassidy has some pretty ridiculous lines on there, but Papoose with that “I’m the new era like a mistake on your computer”, and the “www” lines is just too much. And you know what, I miss Cassidy.

Busta Rhymes – Dillagence Outro. The end of this is absolutely priceless. I won’t ruin it for you.

That’s it. If you want the full version – go get it, there’s plenty on there that wouldn’t fit here.