
MIXTAPE 129 – JIKO SHOKAI
ã¯ã˜ã‚ã¾ã—ã¦ã€‚é«˜ç”°é¦¬å ´å‡ºèº«ã®ã§ã˜ã¨ç”³ã—ã¾ã™ã€‚日本ã®ãƒ’ップホップ・ãƒãƒƒãƒ‰ã‚ャストãŒã‚ã¾ã‚Šç„¡ã‹ã£ãŸã‹ã‚‰ã€è‡ªåˆ†ã§ä½œã£ã¦ã¿ãŸã€‚良ã‹ã£ãŸã‚‰è´ã„ã¦ã¿ã¦ã。
(BGM) Super Smoky Soul – Smile. ã‹ãªã‚Šå‰ã«ã€ã¦ã‹è€ƒãˆã¦ã¿ã‚Œã°ï¼’å¹´ã‚ã¾ã‚Šå‰ã«ã€ã‚µãƒ¼ã‚ュレーションズã®æ —原ã•ã‚“ã«è²°ã£ãŸã€‚m/supersmokysoul.
S.L.A.C.K. – Hot Cake. ビートãŒã„ã„åŠ æ¸›ã¨ã„ã†ã‹ã€ã‚·ãƒ³ãƒ—ルã§ã„ã„ã¨ã„ã†ã‹ã€‚カッコã„ã„ã‹ã‚‰ã€å¾Œè€…ã‹ãªã€‚ãã‚Œã«ã—ã¦ã‚‚スラックå›ã®ã‚†ã£ãŸã‚Šã¨ã—ãŸãƒ©ãƒƒãƒ—ã€ã„ã„ãªã€‚m/slack56psg.
Norikiyo – In Da Hood (Punpee 地元ã¯é•ãˆã© Remix). オリジナルも充分カッコよã‹ã£ãŸã‘ã©ã€ã“ã®ãƒªãƒŸãƒƒã‚¯ã¯ã¾ãŸä¸€å‘³é•ã†ã。ã¤ã„å£ãšã•ã‚€ã‚ˆã†ãªãƒ™ãƒ¼ã‚¹ãƒ©ã‚¤ãƒ³ã‚‚ãƒãƒ³ãƒ‘ãªã„。m/norikiyo.
M.T.Z. – スã‚ルã€ãƒªã‚¢ãƒ«. M.T.Zã¯ãƒ•ãƒªãƒ¼ã‚¹ã‚¿ã‚¤ãƒ«ã¨ã‹ã¯æ˜”ã‚„ã£ã¦ãŸã‚‰ã—ã„ã‘ã©ã€éŒ²éŸ³ç‰©ã¯ã“ã‚Œã¨ã‚ã¨ä¸€æ›²ã—ã‹ãªã„。今回ã«å‡ºã‚‹ãƒ©ãƒƒãƒ‘ーã¨ã¯é•ã£ã¦ã€ä¸€å°ç¯€ã«è¨€è‘‰ã‚’盛り込むスタイルã¯æœ€åˆã¯ã¡ã‚‡ã£ã¨ã‚¢ãƒ¬ã¨æ€ã£ãŸã‘ã©ã€ã‚‚ã£ã‹ã„è´ã„ãŸã‚‰ã“ã‚Œã¯ã¡ã‚‡ã£ã¨ã‚¦ã‚±ã‚‹ãªã£ã¦æ€ã£ãŸã€‚ã¦ã‹æœ€å¾Œã®ã€Œé©å‘½ãŒèµ·ã“らãªã„ã€ã£ã¦ãªã‚“ã£ã™ã‹ï½— mtz-the-illest [at] hotmail.co.jp / ï¼ m__t__z
MINT – 変形åˆä½“. オリジナルよりもé¥ã‹ã«ãƒ¤ãƒã‚¤ã€‚ç•°è«–ã¯èªã‚ãªã„ã€‚ï¼ minchanbaby
AKLO – Player. A Day On The Wayã‚’æŒã£ã¦ãªã„人ã¯ã¾ãšã„ãªã„ã¨æ€ã†ã‘ã©ã€ä¸€å¿œãã®ä¸€æ›²ã‚’入れã¦ã¿ãŸã€‚å½¼ã®ãƒŸãƒƒã‚¯ã‚¹ãƒ†ãƒ¼ãƒ—(無料ã ã‹ã‚‰ãƒ€ã‚¦ãƒ³ãƒãƒ¼ãƒ‰ã—ã¦ï¼‰ã®ä¸ã§å¥½ããªæ›²ã¯çµæ§‹å¤šã„ã‹ã‚‰ä¸€ç•ªå¥½ããªãƒ¤ãƒ„ã¯ã©ã‚Œã ã£ã¦è¨Šã‹ã‚ŒãŸã‚‰å›°ã‚‹ã‘ã©ã€ã“ã®æ›²ã®ã¡ã‚‡ã£ã¨ã‚¤ã‚«ã‚ŒãŸãƒ•ãƒã‚¦ã¯ç‰¹ã«æ°—ã«å…¥ã£ãŸã€‚ã‚ã¨Ham-Rã®ä½œæ›²ã£ã·ã‚Šã‚‚見ã›ãŸã‹ã£ãŸã€‚BLã«ä¾‹ãˆã‚‰ã‚Œã‚‹ã®ã¯å¤šåˆ†ã—ょã†ãŒãªã„ã‘ã©ã€Ham-Rã®ã‚¹ãƒã‚¢ã®å‡¦ç†ã¯â€¦æ–‡å—ã«ã¯èª¬æ˜Žã—ã¥ã‚‰ã„ã‘ã©ã€ã¨ã«ã‹ãæ·±ã„。ã‚ã‹ã‚“ãªã‹ã£ãŸã‚‰è€³æ¾„ã¾ã—ã¦ã‚‚ã†ä¸€å›žè´ã„ã¦ã¿ã€‚m/aklosound.
般若 – Blog # 50. 俺ã®ãƒãƒƒãƒ‰ã‚ャストãŒå¥½ãã˜ã‚ƒãªãã¦ã‚‚ã€æ˜¯éžèˆ¬è‹¥ã®ãƒ¤ãƒ„ã¯ç™»éŒ²ã™ã¹ã。毎週ブãƒã‚°ã‚’フリースタイル形å¼ã§ã‚„ã‚‹ã€ã—ã‹ã‚‚フリーダウンãƒãƒ¼ãƒ‰ã¨ã—ã¦é…ä¿¡ã™ã‚‹ã‚¢ãƒ¼ãƒ†ã‚£ã‚¹ãƒˆã£ã¦ä»–ã¯è¦‹å½“ãŸã‚‰ãªã„。他ã®ã‚¢ãƒ¼ãƒ†ã‚£ã‚¹ãƒˆãªã‚‰ã›ã£ã‹ã書ãç•™ã‚ãŸãƒ©ã‚¤ãƒ を大事ã«ã—ã¨ã„ã¦ã‚¢ãƒ«ãƒãƒ ã§å‡ºã™ã¨ã„ã†ã®ã«èˆ¬è‹¥ã¯æ¯Žå›žãƒ¤ãƒã‚¤ãƒ•ãƒã‚¦ã‚’é…ä¿¡ã™ã‚‹ã£ã¦ãªã‚“ã¨ã„ã†ä½™è£•ã ã‚ã†ã€‚ãã†è¨€ãˆã°ã‚½ãƒ¼ã‚¹èªŒãŒä¼‘刊ã«ãªã£ãŸã£ã¦å™‚ã¯æœ¬å½“ã ã£ãŸã¿ãŸã„ã ãªã€‚別ã«ã„ã„ã‘ã©ã。hannya.jp.
Essencial – Bomb Rush Freestyle. ã¿ã‚“ãªã¯ã‚‚ã†Kid’s Returnè´ãã¾ã—ãŸã‚ˆã? m/backyardessencial.
(BGM) a.z – トラック5. ã“ã‚Œã¯ï¼ˆä¸‰åƒä¸–ç•Œã®ï¼‰æ£®ã«ç„¼ã„ã¦ã‚‚らã£ãŸRã‹ã‚‰å–ã£ãŸã‹ã‚‰ã€ã¡ã‚ƒã‚“ã¨ã—ãŸæ›²åãŒã‚ã‚‹ã‹ã©ã†ã‹ã¯çŸ¥ã‚‰ãªã„。A.Zã‚‚ã‚ã¾ã‚ŠçŸ¥ã‚‰ã‚Œã¦ã„ãªã„ã¨æ€ã†ã‘ã©ã€ãã‚Œã¯ã‚‚ã†ã™ã変ã‚ã‚‹ã¨æ€ã†ã€‚森ã®è©±ã«ã‚ˆã‚‹ã¨ã€a.zã¯ãƒ’ップホップã¨ã‹ã¯å…¨ãè´ã‹ãªã„。ãªã®ã«ã“ã‚“ãªæ›²ãŒä½œã‚Œã‚‹ã€‚ã©ã†ã‹ã—ã¦ã¾ã™ã€‚m/xxxxazxxxx.
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Black TK – Knowledge as a Form of Combat
People who have been with this show for a minute will undoubtedly remember the only other person who’s ever hosted a show on here (okay technically Mamiko did one too – thanks greg) – the man behind The New Soul series – Black TK.
Obviously in Tokyo I don’t run into dude as much as I used to, patient but I ran into this the other day.
TK has more than a few videos up on his account, but this one I think a lot of people could benefit from checking. Specifically his words on knowledge. From near the end of the video:
One of the best things you can do is to educate yourself, as well as to get a formal education. Combine those things. And then question those things.
Because it’ll give you a balance in life that no one can take away from you. There are certain things that you learn in the streets of Northern America that no one can teach you. And if you combine that with academic studies, you are going to be a very sharp sword, and you’ll be able to serve justice. And cut the heads off of a lot of people that come in your way.
There’s really not a whole lot more to say here.
I encourage anyone reading this, especially young brothers and sisters from those communities that are continually put at a disadvantage – I’m looking at those of you in high school, just out of high school, and hell even in middle school:
in all senses of the word, get an education.
MIXTAPE 128 – BE PATIENT

MIXTAPE 128 – BE PATIENT
I know, pharmacy I know. One episode I’m trying to help out the busy people, now I’m telling you to slow down and be patient. Sorry. But to make up for that, I included another nonsensical intro because I know you all love those.
But on the real though, if you feel like any of the stuff in the intro applies to you, sit down, grab some chips, and give yourself a good half hour to listen to this one.
Also, please note that nothing I said in the intro should be interpreted as an okay to go stab somebody.
Instrolude: Air – Dirty Trip.
DJ Signify – Fly Away. That first line is just too hard. “To thicken the plot”? Wow. m/djsignify.
Gil Scott-Heron – Me And The Devil. Shouts to Mr U for reminding me of this cut, and for part of the inspiration on this episode. I guess people are sorta lukewarm on this song itself, but I don’t know, I dig it. gilscottheron.net.
UNKLE – Rabbit In Your Headlights feat Thom Yorke. Remember the video for this jawn? Skurry. m/unkle.
UNKLE – Rabbit In Your Headlights (Massive Attack Remix). Just the drum section, really.
Morcheeba – Never An Easy Way. This stayed in my no-skip-protection-having-CD player so much when I was 12. I’m still not sure why I came into possession of this record in the first place, but it goes pretty hard. Protip: Post-Skye Morcheeba isn’t really that great. m/morcheeba.
Sandpeople – The Dapper Mob. This is just a really unsettling song, which is I think the last cut of an actual rap album. More unsettling is how this song gets stuck in your head. m/sandpeople.
Big Ken (of 334 Mobb) – We Miss You Teddy. I think I remember hearing Big Ken sing before, so it’s not such a surprise to hear him do it on this cut. That said though, this is sort of a weird track – the rap literally only goes for like four bars and then the song ends. m/bigkentheone.
SMKA – Deer Mama feat Yelawolf. This cut introduced me to Yelawolf. I can’t really stress how much I like this cut. And SMKA – that whole 808 project is basically dope. Get it. Bonus points if you realize that this is the only proper rap song in this whole episode. m/smkamusic.
Gil Scott-Heron – We Almost Lost Detroit. There’s not much to say about this one. If you don’t get it, rewind.
Anyway, that’s what I got this round. Holler.
More Akira / Rap stuff
okay, approved well there’s not all that much rap in here, but this is something worth checking out.
I did a post on Sabotage Party’s Holding the Crown video with the Akira visuals a while ago, and we all remember Kanye’s attempt. But now Mark from Eyetape, who you might remember from this site the last time I posted on them, has just dropped a very unofficial, very bootleg but actually pretty cool Akira “trailer”.
Akira: The Kaneda Short Film from Eye Tape on Vimeo.
So aside from the fact that this thing is extremely well done, especially considering the budget – there is some actual rappidy rap in here. Seeda, who you might remember from my quick breakdown of Dear Japan I did forever ago – appears (without his explicit permisson) with the first part of “Lost Heaven”. If you’ve never heard the track you might miss this, but the editing is actually pretty smart at the beginning – those sound effects from the CD changer weren’t added in postproduction – that’s part of the actual song.
This is sort of an interesting project – an absolutely unauthorized – both in terms of soundtrack and film (I’m assuming that “90% guerilla” means “90% of this stuff wasn’t cleared with city authorities”) trailer of a Japanese film made by a kid raised in the States. Using a soundtrack spotlighting a Japanese artist using a quote un quote “American” artform.
For those of us born in the mid 80s and later, on both sides of the river, these “boundaries” are really starting to take on new meanings. I’m not saying they’re going away, but stuff’s starting to get interesting. I mean, look at the Golden Cartridge series (vol 1, vol 2) or the original Nintendo mixtape, man. We’ve got a generation of American kids influenced by Japanese machines, and a generation of Japanese kids influenced by recordings of American kids yelling into a box. Of course, there’s the negative side, which we’ve discussed here before in part, but still.
But forget that, watch the video. The set work in this video is also pretty dope – the bar actually looks like the original place from the film. I think I’m going to have to go rent this movie again.
In the meantime, holler at Eyetape.