the mixtape show

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In Volume 5 of Soultronica, we find our bounty-hunting heroes, Dex Digital and Brothertron, cruising through the Beta Quadrant looking to ...

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For those of you who have heard, today is the day of the nationwide protest in Jena, Louisiana for the freedom of Mychal Bell and ...

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This is not a simple interview, and it's definitely not just another episode. This is an hourlong (!) special on the state of hip-hop in the media today. This special covers everything from the Imus-inspired backlash on Hip-hop to sexism/racism in the media to the Stop Snitching 'movement" to the number of people that actually dictate what videos get played on BET and subsequently MTV (hint: it's less than four). The Background: During the last few weeks, Hip-Hop has been under serious fire from the mainstream media – not only because of the backlash following Don Imus’ termination, but the more recent 60 minutes interview featuring Cam’ron and Anderson Cooper’s interpretation of the Stop Snitching mantra. So in order to bring some clarity to the situation, I spoke to several different community leaders, all of different backgrounds. The Guests: Aishah Simmons – An African-American feminist and activist documentary filmmaker, producer of the award-winning No!: The Rape Documentary, and perhaps best known to longtime listeners of the Mixtape Show as the older sister of Atlantic Recording artist DJ Drama (previously interviewed here). John Robinson – also known as Lil Sci – a producer, MC, and President of Shaman Work Recordings, which has put out releases from artists such as Emanon, CL Smooth, and MF Doom. Willie D – a solo artist and core member of one of the most influential rap groups to ever come out of the South, the Geto Boys. Davey D – Hip-hop historian, journalist, deejay, and community activist, whose website, Davey-D’s Hip-Hop Corner, is one of the oldest and most respected Hip-Hop sites on the net. and David K Far-El – aka D-Brad, the former producer for BET’s Rap City and the creator of Spring Bling. He was fired some time after Viacom’s buyout of BET and is currently working on a book and DVD exposing the commodification of the nation’s biggest outlet and representation of Black and Hip-Hop culture. The Next Step(s): I encourage everyone to listen to this feature, pass it on (messageboards, myspace, wherever), and continue the discussion both here in the comments and elsewhere. Or hell, request this on your local community station (see below). Community Radio: If you are a radio programmer and are interested in airing this on your local college/community station, click here to download the radio friendly version. It is standard radio format (56 minutes) and is completely clean by US FCC standards. If you have any questions, email me and we'll talk. So, yeah. What do you think? Hit the comments section.

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Well, I had to do it. Today's show contains more than a few joints that a lot of people out there would consider blasphemous. That's fine. Before you call Focus on the Family on me though, (happened once before), think for a second about shit like the crack epidemic, about Katrina, about Sudan, and then tell me that there's no good reason that people should feel like they've been shut out. Let's move. Mobb Deep feat 50 Cent - Pearly Gates. Exile on the beats here. This is the joint that was censored by Interscope - as in you can't even get this version that you're about to hear here in stores. I mean, you've got Prodigy saying shit like that he's going to "see [Jesus] when he sees him" or that he's gonna beat Jesus up "like the movie" (I'm assuming he's talking about The Passion of the Christ). But of course, I don't know what happened in the movie because I didn't see it, because of the White Jesus factor. Also, why are people whining about Fiddy singing on hooks? I think he sings good hooks. Please leave Fiddy alone. Dude wants to sing, let him sing. He's had a rough life. Poor guy.