Killa Cam HP Parody – Nothing New.

On the 15th, mind I got a bunch of messages (thanks Mirateck, Iain and the slew of others) telling me to check youtube’s front page. As soon as I got back to my computer, I was greeted with an officially HP-sponsored ad:


(Fake) Camron – HP Hands commercial

What you must understand, though, is that this was up on the front page of youtube, with an HP banner. HP was officially endorsing this. It’s confusing, because the Killa Cam (killa!) is essentially lamenting his (killa!) being forced to shill for HP (killa!) to pay his bills (killa!). Which one would think casts HP in a negative light. Regardless of the fact that this actually sounds like something (killa!) Cam would say – why sponsor something like this? Why not actually have the real Cam’ron do an HP commercial? Why go with a parody, when you could get something serious?

I’ll tell you why – because somewhere, some young advertising intern had an epiphany. And that epiphany is:

There is nothing serious about hip-hop*. It is a parody of itself.

I remember when I first got Soulja Boy’s “I Got Me Some Bathing Apes”. I thought it was the most hilarious thing ever. And I’ve always found something inherently amusing about Dipset, to be honest. Rap at this stage is so cooned out that nearly everything is a ready-made caricature of itself.

*I shortened this phrase to make it cuter. By “hip-hop”, I mean “90% of today’s mainstream hip-hop”. Obviously not the stuff that I play on this show, though some of that is also funny to me.

Let’s see some evidence, shall we?

Exhibit A:



Kanye West and Lil Wayne

This cut contains what is currently my favorite Lil Wayne quote. “Sometimes I pick up a magazine / or a tabloid / or a tambourine / Sometimes I wanna go and just smoke a bag of weed / and leave the Earth on a motherfucking trampoline”

So strange! So creative! Clearly the work of a drugged out of his mind tortured genius. A lot of people don’t “get” Lil Wayne’s more esoteric stuff, but I think I do.

One problem – that’s not Lil Wayne, or Kanye. It’s a parody – but it’s damn near as good as anything either of them would put out (possibly better). Listening to this thing, there are some funny lines, but one of the things that was keeping commenters on the Youtube thread confused as to whether or not this is an authentic track is that so many artists – Lil Wayne being a prime example of this – dance the line between “insanity” (genius?) and sanity (mediocrity?) so often and imperceptibly that you’re never really sure why you enjoy a song.

Is because the media pushing it down your throat? Are you just settling for it because nothing better is out there? Or is the song actually good?

And for that matter, does an artist actually need talent to make a song that is “good”?

Exhibit B:



Deadly Adventures – Michael Vick vs 50 Cent

I don’t have any point to make here, I just think this video is hilarious.

Exhibit C:



Lethal B – Pow! (Forward Riddim) (Original Video)

Here, we see that this has even infected the UK’s grime scene. Am I the only one that laughed through this whole video? I mean, dig D Double E – that dude looks like he’s had polio for 22 years and somebody just found the cure but it hasn’t quite worked its way through his body yet. Why is he moving like that? And is he vomiting blood? Then you have Discovery Channel outtakes with Napper, and by the time Forcer comes on with the spinning rims and unnecessary booty, it’s one white boy short of a Weird Al song.

Don’t get me wrong, though, this is an awesome song. The fact that the song itself was banned is also pretty cool, I guess.

So, yeah
I don’t know, kids. I feel like I could make some point here, but I suddenly find myself losing the desire. Rap is funny, in a Kurt-Vonnegut-so-it-goes sort of way, because on one hand it entertains me, but on the other hand I realize that a lot of kids don’t quite understand how to differentiate between reality and fantasy and they actually believe what these men are saying.

Tears me up inside, innit.

I also wonder if I should feel bad that I produce a show about something that I can’t take seriously.

Jay Electronica Live

too late, cialis you already missed him:

Jay Electronica’s performance of “…because he broke the rules” at Gilles Peterson’s Worldwide Awards 2008

I realize that in some senses UK has overall better taste in music right now than we do, healing and I’m happy that Jay got out there to do his thing, but seriously, somebody back home needs to give this dude a chance.

I mean, the Beeb is already up on this. You can hear this set to music on the first Jay Electronica podcast posted here – about 9 minutes in. Danke.

And while we’re at it:

Blu – Just Another Day.

Here’s a joint that never quite made it to Below The Heavens. Pretty interesting concept behind the video – I mean, it may all be centered around passing around a joint (stay in school and off drugs, kids), but the message itself is a good look. Recommended – and if you’ve forgotten where you first heard Blu, you might want to check the Mixtape Show archive for more Blu and refresh your memory.

And some good news – sounds like I’ve got some more giveaways coming up soon. As always, Facebook group members get first crack, so jump on that. Also check the official Mixtape Show Facebook page.

Actually, speaking of Facebook, here’s an ad I caught yesterday:

oh hell no.

I just had one of these

and it was brilliant.

Not because of the taste, neuropathologist but because it was my first solid meal in a week and a half. This also means that I can talk again.

Anyway, order I’ll probably address this in audio form later, healthful but I just wanted to put people up on some new updates to the site/show:

Pop-Out Player.

One minor annoyance on the site has always been that if you’re listening to the show on the show player and then click any link – the comment link, say, then the page reloads and you have to start over again. This isn’t so fun if you’re on a slow connection.



So, there’s a tiny pop-out bar just above and below the show player over there on the right. Click that (try it here now), and you should get a small window containing the last 20 or so episodes. You can jam on that while you check the site, or hell, just open it up and browse the rest of the net.

Embeddable Episode Player.

Okay, this I’m excited about. I’ve wanted to do this for a very long time, and really just now got around to putting it together. If you look just below the “cover art” for any episode, you’ll see a tiny box with an embed code, like this:

embed this episode in your myspace/blog/whatev:

Click anywhere in that box, go to Edit → Copy, and then paste wherever you like. Myspace bulletin, profile, blog, forum, whatever. You’ll get something that looks like the following:



easy way to put your friends up on Jay/Labratz/Iain/Suburb/Brothertron, whatever.

Subscribing.

Not to beat this into your heads, but you are subscribed, right? Good. Now sneak onto your friend’s computer and make sure they have a steady stream of good music flowing into their inbox. Click here for the rundown (opens in same page).

Oh, bonus because a couple people asked for it – if anyone wants the site background for use on their very own desktop (!) :

have at it. Heavily influenced by my friend Elliott G’s line, Ultra Vitalence (dig Elliott in the middle, you’ll see what I mean),



which got a nice writeup recently in the URB blog, courtesy of my other good friend Jolie.

That’s It.

Okay, yeah, that’s about it, really. I’ve tested stuff somewhat, but if you use IE, god bless you there might be some bugs I don’t know about. Let me know if things are or are not working.

New things soon.

MIXTAPE 102 – THE MAMIKO SHOW


MIXTAPE 102 -THE MAMIKO SHOW

Yeah, prosthesis so that’s where I’ve been the last few days. I got my wisdom teeth pulled, and you know how they usually give you a choice between getting knocked out or just doing anaesthesia? Well, the surgeon took one look at my X-rays and said “Son, we generally like to give our patients a choice in the matter, but you’ve got four impacted choppers in there, and I’m gonna have to put you under. No arguments accepted.” I’ll spare you the bloody details, but suffice to say that there was a lot of sawing involved and I’m not able to talk just yet.

Now, most people would just take a break and enjoy the vacation from rappidy rap podcasts, but I promised myself February would be special. But I was in no condition to speak into a mic – so a few scrawled messages on napkins, promises I have no intention of honoring, and sad puppydog looks later, I managed to con Mamiko into recording the intro for me. Everybody, please, a round of applause for Mamiko.

A lot of good music this episode – let’s get into it.

Tracklist

mamikolude – Bullion – God Only Knows. Yes, the Beach Boys flip. I gotta put this dude on – next beattape, I promise.

Labratz - Grow. Is Labratz a new name to you? It shouldn’t be. More of the same raw post-production (especially on the I mentioned the first time I played these dudes. Too many quotables in here, but all the same – “It gotta precipitate / Before you levitate”. Take that one with you today.myspace.com/thelabratzmusic.

Jay Electronica – When The Levees Broke. I’m not sure who produces some of these more unconventional tracks (it may well be Jay himself, come to think of it), but the understatedness of this cut…man, just listen.

Jay Electronica – Departure. The title of the second part of this cut (not included here – next time!) is what inspired my original name for this episode before Mamiko took it over, but the spirit is still there. Vividly autobiographical track. See that “embed” function up here? You might consider using that to share this with your friends.

Penuckle - I Love Being Black. As do I. I’ve been meaning to get Penuckle on the show for some time, so when he hit me with the track just before February kicked off, I knew this one was a given. Black History Month – do your research. Thanks again, P (by the way, who handled production on this one?). myspace.com/penuckle.

G.L.C. – Honor Me. Not the Welsh group. Not them. No. The flow and beat on this are obviously dope, but what does it for me is that extra vocal tweaking on there. Everyone, more delay, please. The trash talking at the end is kinda funny, but doesn’t take away from the intensity of the track. Shouts to Vince for putting me up on this track. myspace.com/glc.

C.L. Smooth – Multi Barz of Fury (prod. Pete Rock). Yes, you read that right. Is the coldness between the two masters over? I have no idea, and technically this isn’t that much of a new track considering that Pete released this cut on the Surviving Elements as an instrumental called “You Remind Me”. So what does this mean, CL? Are more Pete/CL collabs on the way? myspace.com/clsmoothmusic

Saroc – Black Dot. Exclusive courtesy of Sol Messiah (Labratz). I got an email from dude referring to Saroc as his “secret weapon” with this cut attached. I’m not sure how much longer he’s going to be able to keep her a secret, but the lyrics are definitely impressive. The production? Signature Sol. Make sure to play this back a couple times to make sure you’re absorbing it all – in the meantime, I’m waiting for more from Saroc.

Erykah Badu- Real Thing (prod. Madlib). Anyone else out there miss Erykah? Fortunately we won’t have to wait that long – her new record is coming pretty soon. I wouldn’t mind hearing more collaborations between these two. myspace.com/erykahbadu.

I’m excited for the rest of this month. I’ll post the particulars in a bit, but I’m craving milkshakes again. Thoughts on the show are welcome, as are suggestions for food that won’t make me pass out.