Tanya Morgan / Hardcore Gentlemen

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So yeah, hospital for those of you who caught the Skate Tape, this is the video from Tanya Morgan’s Hardcore Gentlemen.

Apparently as if making up a pretend city wasn’t enough, these dudes made up a pretend rap group that supposedly existed 15 years ago, and a pretend video for that pretend group, and a pretend video show that showed that pretend video, and then they pretend got pretend permission from the pretend video and made a pre…you know what, just watch the video.


Tanya Morgan – Hardcore Gentlemen.

I mean, I could sorta do without the intro, but it’s still funny. I still haven’t heard the whole record, but I don’t know, maybe I should go get it. What I have heard thus far is kinda good.

As a side note, the Tanya Morgan name shouldn’t be new to you at all if you’ve been following the show for a while. Check the archives.

Realest like Bruce Willis.

MIXTAPE 124 – THE SKATE TAPE

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MIXTAPE 124 – THE SKATE TAPE

Yeah. So first, dentist I have several shoutouts – Mamiko for sending me my board, everyone I know out here in the city for probably unknowingly influencing me to buy one, Elliot for – well, I’m not sure, but somehow I think he influenced this one too.

And real talk, I’m not trying to act like someone who’s been down since day one on this. I only got my jawn like a month and a half ago, and my best trick is a little number I like to call “not falling”. But to be fair, growing up where and when I did, general common sense said that black people do not ride skateboards (I think my father might have actually told me this once). Somehow I did manage to own a pair of rollerblades, but that’s beside the point.

But yeah, this is a tape specifically engineered for hitting the pavement during these last few weeks of summer. Put this in the iphone/ipod/whatever devices you foreigners are using nowadays and hit the streets.

MIXTAPE 124 – THE SKATE TAPE by mixtapeshow


Tracklist

instromental: Madlib – Blunt Break.
Jay Electronica – Retro Electro. With DJ Clue screaming all over it, which maybe makes it better, I’m not sure. I was having a hard time thinking of what to start this off with, when I found this in the archives. I’m sort of looking forward to skating to this. m/jayelect

Che Grand – King ✖ Grand. My official theory behind the name of this track is that Che found out how to make this ✖ mark and decided to use it in a song. m/chegrand

Unagi – Song of Satisfaction feat Eddie Meeks. Shouts to Unagi for hitting me with this record in I think March. Actually, I’m certain it’s March, as I was listening to it back at home in CA and my moms heard me playing it and asked me who it was because she liked it – then she heard this particular track and said that “that man just ruined a very nice song”. I think the chorus is sort of great, personally. I cut this off halfway, but if you want the rest, go check it out. m/unagi

K-Salaam & Beatnick – Don’t Die feat Bun B, Talib Kweli, and Colin Munroe. I still don’t really understand the chorus here. “Don’t die” sounds like something you tell somebody before they try something stupid, like being Mexican and walking into a 7-11 with your hands in your pockets – but this song doesn’t even have any Spanish in it, so I’m sort of confused. That said, it’s a pretty good track. m/ksalaammusic

The Roots – !!!!!!!. Yeah. m/theroots

Tanya Morgan – Hardcore Gentlemen. The high pitched rapping in here is going to evoke a really obvious connection some other groups/tracks, but I think that’s the point. This song is great. “I took her to the movies and got her hella Skittles”? Brilliant. m/tanyamorgan

Wait, is that where I’ve been going wrong? Skittles. Had no idea it was that simple.

Born Wit It – Elevators Freestyle. The rest of the Substance Abuse tape ain’t too bad, either. w/bornwitit

J. Cole – Til Infinity. Somehow the last cut made me think of this one. Shouts to Ultra Ouxu for recommending this tape.

Hudson Mohawke – Rising 5. I mean, I’d heard of Hudson Mo before, but nothing like this. This is so good I felt bad talking over it. w/hudsonmo

Cymbals Eat Guitars – Living North. I mean, you can’t have a skate tape without at least some guitars in it, right? w/cymbalseatguitars

PS: My board is actually a longboard, and it’s hella cool. I should post a picture of it or something.

MIXTAPE 123 – THE GOLD CARTRIDGE LEVEL 1

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THE GOLD CARTRIDGE LEVEL 1

Man, stomatology I don’t even know how to start this one off. So once, page a very long time ago, on this very here rappidy rap podcast, I put out a nintendo mixtape. I didn’t actually think anyone would like it, I just sort of wanted to do it – but the response was actually sort of good. You could call this a sequel if you want, but in reality, this is actually a prequel…

The year is 1998, and our hero is a 14-year old dex digital. I would write out the story here, but I’ll just let Ghosteo take it from here with the mad drawing skills.

And thus opens today’s episode – The Gold Cartridge, Level 1.


Or, if you want the full experience, try it in fullscreen as you listen to the new jawn.


World 1-1

So for those of you who missed the ridiculous 5 minute intro skits – here you go.

Instructionalude
Serengeti Drop.
J Bizness – Denice
Paul White – City Bright Lights
時の過ぎゆくままに(Toki no sugi yuku mama ni) (NES)

Meek Millz – One For The Money. Hoodfamous on the track. I have to say, this is probably the best flip of the Super Mario Bros sample I’ve ever heard. Even beyond that, this beat just sorta goes hard. And anybody who’s seen any videos of Millz knows that the dude is sort of skurry with it. I mean, I woulda liked some mario references in this cut, but I can’t be mad at him. Shouts to JT for the cut. m/hoodfamous215.

Game/Realitylude
Crash N The Boys (NES) – this game was the business back in the day. Most violent pseudo-olympics game I ever played.
Teenage Mutant Ninja Turtles (Overworld Theme) (NES) – this game was so stupidly hard it wasn’t even funny.

Finale – Motor Music (snippet). When I first heard this cut I wasn’t really sure if I was reading too much into the droning background music – but then I heard One Man Show. Obvious nintendo influence. m/finale

Alchemist – That’ll Work feat Three 6 Mafia (snippet). You know, because I still like Three 6. This cut for some reason makes me think of Castlevania. I can’t really condone how dude prefers to spend his money, though. m/thealchemist


World 1-2

Wow, I forgot how whiny I was as a 14 year old.

Racist Gamealude
Street Fighter Intro. (SNES)

Turbo – Gigaton Punch. Definite shouts to AustinJ for putting me on to this track like two years ago. Now that he mentions it though, I don’t know anyone that actually used Balrog. Personally I started off on probably Dhalsim (long range punches), then Blanka until I realized the electricity thing was only cool until you got hit with a fireball in the middle of your shock attack. Then Guile, then Chun Li, mainly because she can jump off the walls. Why’d they have to make Balrog all useless? On the song though, you can’t even front on it. It’s great. y/scrambletv

Oh No – Lay You Out feat Redman. Oh No was already on the last Nintendo jawn, so he’s already got a record for being a nintendo fiend. And Redman isn’t really surprising either, considering that one episode of “Cribs” where he had like a Sega under his bed or something. m/ohnodisrupt

DJ Tour – Street Fighter Mix feat Mistah Fab. I don’t know, this is sort of a weird choice I guess. Beatwise, it’s actually perfect – they did absolutely nothing to the instrumental except add an extra kick and clap in and maybe some orchestra hits. Fabby himself comes with some sort of ridiculously corny lines, but I like how he says “money” so it’s okay. m/mistahfab

Outrolude
Star Tropics 2 (NES)

Afro Classics – The Follow Through. Maybe a new name for some (I’m actually sorta late with this one, so probably not), but if you remember Scarub of Living Legends – this is him paired up with Very. I haven’t had time to sit down through the whole record yet, but it ain’t bad. I dig the hook on this one. m/afroclassicsmusic

Oh wow, I completely forgot to do this in the outro, but shouts to B on the in-game announcer vocals. You might remember him as Uncle Chester from the Rock Episode.

Anyway, that’s what it is for this week. Apparently there’s a World 2 to this game, so I guess check back next week for another one?

Nihongo Rap Breakdown – Seeda – Dear Japan

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A lot of people have been asking me what the deal is with Japanese hip-hop1 is, web I’ve been sort of meaning to do this for a while, so let’s get into it – a proper (sort of) review/breakdown on a Japanese rap joint (ps – “Nihongo” = Japanese for “Japanese language”).

So let me make something clear upfront.

First off, after being here for over a year, I think I can say with confidence that a large portion of Japanese hip-hop is not very good2. I would actually go as far to say that a good portion of it is actually completely unlistenable, and that any non-native speaker of Japanese who claims to prefer Japanese rap over, say, its American counterpart is either very very familiar with the underground scene here, or lacks musical taste.2.5

This coming from someone who only has Japanese rap in his mp3 player.

Second, I should also say here if someone asked me who my favorite Japanese rapper was, at this point in time I’d have to say Seeda. It is also an undisputable fact my opinion that his last album is a landmark record in Japanese rap history, is the best Japanese rap record out right now, and is going to be a major force in what happens over the next couple years in the scene. So if you want to call me biased, sure, I’m biased. But then again, I’m not really known for talking much on this site about things I don’t like.

Second point five, people who have been following the show might recognize the Seeda from the mildly infamous Niggas and Bitches episode (Seeda isn’t the rapper whose lyrics I took up, though – that was Oki). Yes, this is the dude who shared a mic with that rapper in the video. Possibly something to keep in mind as you read this.

Third, I’m going to try to avoid making really broad generalizations about Japanese society/politics – partially because such generalizations aren’t possible, and partially because if you wanna know more about society/politics, there are better places to learn about that than from me. As good as I am at hiding it, I actually don’t know anything about anything, and encourage you to do your own research.

So, on to the track itself. This one is called Dear Japan, by Seeda, produced by Bach Logic. I actually heard this maybe four or so months ago when Seeda put it up for a couple days on his myspace, and actually liked it enough to want to drop it on the show. Didn’t happen, obviously.

Okay, let’s get to the video already:

Seeda – Dear Japan (prod. Bach Logic)

The first thing that you will notice is that dude stares at the camera for like fifteen full seconds before he even says a word. If I may be permitted to say something here about dude （Seedaさん、気を悪くしないで下さいね）, dude kinda has a crazy look in his eye. And he continues to make really skurry faces at the camera for the whole video. So if that makes you uncomfortable, yeah.

Lyrical breakdown, background, and wild, baseless speculations after the jump.
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