MIXTAPE 73 – SOULTRONICA 4 – THE ESCAPE


MIXTAPE 73 – SOULTRONICA 4 – THE ESCAPE

After landing on the surface of Andromeda-13 in search of his cyborg partner Brothertron, approved Dex Digital contacts the ship’s computer (Cosbotron) in order to get coordinates on Brothertron’s last known location. Shortly after receiving those coordinates, valeologist Dex Digital is ambushed by a group of invisible space aliens native to Andromeda-13 – possibly the same beings that captured Brothertron.

Soon, Dex Digital awakens in deep within the aliens’ compound. He discovers that he is trapped in a cage suspended from the ceiling by a rather weak chain, and is accompanied in capture by Brothertron and an alien that appears well-versed in 21st Century Ebonics. Will our heroes make it back to their ship alive? What will happen to their new alien companion? And where did this alien dude learn to talk like that? Find out in this episode of Soultronica…

Be warned – none of this will likely make sense unless you’ve heard the rest of the soultronica series.

Tracklist:

intro – a ghosteo beat.

Ammon Contact
– A Satellite’s Return. Special shouts to J.R. and Carlos Nino for linking me up with this jam. This one’s off of New Birth, which (from what I know) is the debut Ammon Contact record. There’s another one out, though, so check it.. AC on Ninjatune.

4Hero – Take My Time feat Jack Davey. Yes, vocals contributed by the singer of J*Davey. 4Hero has been around forever in this whole Nu Jazz / drum n bass thang, and this new soultronicaesque sound that they’ve got going on is hot. I might be sneaking another cut in off of their latest album – Play With the Changes. Shouts to JC of Milan Records for making the connection on this one. myspace.com/4hero.

interlude – Nicholas Cicero – Muerto 6.

The Big Payback
– It’s You.
The meandering opening cut on the second release from the Japan-based Circulations label. This song is not even the half of it, ladies and gentlemen. I think the artists on here are NY/France based – what they’re doing on a Tokyo label I don’t know, but I’m not complaining. Shoutouts to Dai again for getting this to me. myspace.com/circulations

Sa-Ra – Hey Love. Yeah, it would have been nice had I put this one out before the album come out, but hey, things happen. Doesn’t change the fact that the cut is nice. I still have some more on deck, so stay in tune.. sa-ra.net.

Ammon Contact – Omniverses 2. Probably my second favorite track off of the New Birth record. Check these cats out.

Glass Candy – Rolling Down the Hills [no vocals edit]. No offense to Ida, but I just couldn’t fuck with her vocals (at first – they actually grew on me after a while). Johnny Jewel, on the other hand, is a recent discovery (to me – he’s been doing his thing for a minute) and I dig his weird retro coked-out production. You can find the original on the Glass Candy myspace. myspace.com/glasscandy

pre-fight interlude – Josh Ivey

outro music – ripped from the Nintendo game Xexyz.

that’s this week’s jumpoff. And again – if you’re new to the series, you might want to step back and listen to Soultronica Vol 1, Soultronica Vol 2, and the recent Soultronica Vol 3.

MIXTAPE 72 – BEAT TAPE VOL 3


MIXTAPE 72 – BEAT TAPE VOL 3

At long last, allergist it’s the long-awaited threequel to one of the original concept/spinoff series on this hip-hop podcast – the Beat Tape. Keeping in tradition with recent developments on the show, this tape is all over the place – stylistically and geographically. Three continents, multiple subgenres and inspirations, and just damn. I guarantee at least three rewinds on this episode or your money backTM

Intro – DJ Umoja – Ieidc. Words – my father. I wish I was kidding.

1’05 – Super Smoky Soul – Good Night. Straight out of Tokyo. The Light Smoke EP is the first release on Circulations Japan, and it goes hard. Please check this. Shouts to Dai. myspace.com/circulations

3’40 – DJ Cam – The Sound of The Streets. Now on to France. This joint coulda easily showed up on Episode #68. myspace.com/djcamrecall

5’20 – Iain Haywood – Smooth. And over to the UK. Oh, come on. It’s cute. myspace.com/12pads.

6’35 – Alf-Alpha – 22 Year Old. Back to southern CA. I had this on replay for a very long time. Cut is cute as hell, and I want to call the words/scratches clever, but it’s a little beyond that. I hear dude has an album out. You should check it maybe. myspace.com/alfalpha

10’00 – Gil Scott-Heron – Is That Jazz (excerpt). I have no qualms about jacking things from YouTube. The bassline on this thing is ridiculous.

12’00 – Suburb - untitled. I’ve been sitting on these joints for far too long. Suburb is sort of the truth. Check him out. myspace.com/suhburb.

13’25 – Suburb - Cornelius Brothers flip. See above.

15’30 – Unagi - The One Revisited. Cut is hard. unagi442.com.

18’05 – Disrupt - International Karate Championship. Jahtari, the Leipzig, Germany-based label has been doing their thing for a minute now. This was their first release and you know I am fucking with it. jahtari.org.

20’40 – Disrupt - Events Occur In Realtime. This is an exclusive given to me by the Jahtari kids themselves. jahtari.org.

22’05 – J Dilla – Make Em NV (instrumental). Yep. jdilla.org.

23’20 – 9th Wonder – Track 07. Off the marginally infamous “Black Album Rejects” beat tape that floated around forever ago. myspace.com/9thwondermusic.

This is clearly the best beat tape episode yet, and it has nothing to do with me. Thanks to all the artists for contributing tracks, and I was serious in the outro. I want to know what you think about this. Let me know.

ps – in case you missed the first two in the series, check here: beat tape vol 1, and vol 2.

MIXTAPE 71 – FEATURE – IMUS, STOP SNITCHING, AND RAP


MIXTAPE 71 – FEATURE – IMUS, drugs STOP SNITCHING, AND RAP

This is not a simple interview, and it’s definitely not just another episode. This is an hourlong (!) special on the state of hip-hop in the media today.

This special covers everything from the Imus-inspired backlash on Hip-hop to sexism/racism in the media to the Stop Snitching ‘movement” to the number of people that actually dictate what videos get played on BET and subsequently MTV (hint: it’s less than four).

The Background:

During the last few weeks, Hip-Hop has been under serious fire from the mainstream media – not only because of the backlash following Don Imus’ termination, but the more recent 60 minutes interview featuring Cam’ron and Anderson Cooper’s interpretation of the Stop Snitching mantra. So in order to bring some clarity to the situation, I spoke to several different community leaders, all of different backgrounds.

The Guests:

Aishah Simmons – An African-American feminist and activist documentary filmmaker, producer of the award-winning No!: The Rape Documentary, and perhaps best known to longtime listeners of the Mixtape Show as the older sister of Atlantic Recording artist DJ Drama (previously interviewed here).

John Robinson
– also known as Lil Sci – a producer, MC, and President of Shaman Work Recordings, which has put out releases from artists such as Emanon, CL Smooth, and MF Doom.

Willie D – a solo artist and core member of one of the most influential rap groups to ever come out of the South, the Geto Boys.

Davey D – Hip-hop historian, journalist, deejay, and community activist, whose website, Davey-D’s Hip-Hop Corner, is one of the oldest and most respected Hip-Hop sites on the net.

and David K Far-El – aka D-Brad, the former producer for BET’s Rap City and the creator of Spring Bling. He was fired some time after Viacom’s buyout of BET and is currently working on a book and DVD exposing the commodification of the nation’s biggest outlet and representation of Black and Hip-Hop culture.

The Next Step(s):

I encourage everyone to listen to this feature, pass it on (messageboards, myspace, wherever), and continue the discussion both here in the comments and elsewhere. Or hell, request this on your local community station (see below).

Community Radio:

If you are a radio programmer and are interested in airing this on your local college/community station,
Listen to
. It is standard radio format (56 minutes) and is completely clean by US FCC standards. If you have any questions, email me and we’ll talk.

So, yeah. What do you think? Hit the comments section.
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